Angie Pai
Angie Pai，1993 年生於臺灣臺中，為澳籍臺裔藝術家。其作品曾於墨爾本、雪梨與臺灣多地展出，並參與多項公共藝術、壁畫與委託創作計畫，並獲 Creative Australia、Creative Victoria、Ian Potter Cultural Trust、雪梨歌劇院與Diversity Arts Australia 等機構支持。創作形式涵蓋浮雕、纖維藝術與實驗影像等媒介，並以延時性與觸覺導向的製作過程，追索壓力、修復與轉化作為具體經驗的軌跡，使作品成為身體、記憶與社會場域交會的感知空間。
藝術家重視教育推廣、感知與認知多樣性，並致力於促成跨世代對話。其創作實踐探討各種情緒調節策略，並透過受遷移經驗與承襲記憶所形塑的神經生物學，以及關係性框架加以展開。藝術家將情緒神經科學、跨文化心理學與文化適應理論內化於創作脈絡之中，視藝術為一種研究方法，將理論性的提問轉譯為材料與形式的實驗。透過「多重迷走神經論」與「創傷知覺文化安全」的視角，進一步思索生理狀態、社會環境與離散歷史如何彼此交織並生成新的感知結構。
Angie Pai (b. 1993, Taichung, Taiwan) is an Australian artist of Taiwanese heritage. Her work has been presented in Melbourne, Sydney, and throughout Taiwan, encompassing public art commissions, murals, and site-responsive projects. Her practice has been supported by Creative Australia, Creative Victoria, the Ian Potter Cultural Trust, the Sydney Opera House, and Diversity Arts Australia. Spanning relief sculpture, textile-based works, and experimental film, Pai employs durational and tactile processes to trace pressure, repair, and transformation as embodied experience, situating her works as perceptual fields where body, memory, and social space intersect.
Pai places strong emphasis on educational outreach, sensory and cognitive diversity, and intergenerational exchange. Her practice explores regulatory strategies through dynamic neurobiological and relational frameworks shaped by migration and inherited memory. Integrating affective neuroscience, cross-cultural psychology, and acculturation theory into her conceptual framework, she approaches art-making as a mode of research, translating theoretical inquiry into material and formal experimentation. Through the lenses of polyvagal theory and trauma-informed cultural safety, she further considers how physiological states, social environments, and diasporic histories intertwine to generate new perceptual structures.
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The Mark Holds, 2026 -
PA (Study), 2022
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Hundred Quilts: No Knots Without Weight
Mar 21 - May 16, 2026大河美術將推出群展《Hundred Quilts: No Knots Without Weight》，邀請六位創作實踐橫跨紙材、纖維、繪畫、雕塑與裝置的藝術家，包含日裔加拿大藝術家Alexa Kumiko Hatanaka、墨西哥藝術家Allan Villavicencio、澳籍臺裔Angie Pai、加拿大籍臺裔Dennis Lin、旅居英國的中國藝術家Amy Hui Li，以及韓國藝術家 Lili Lee。本展以「百衲被」（patchwork quilt）為核心隱喻，從其文化生成、物質結構與身體勞動出發，追索纖維如何在匱乏、斷裂、照護與遷移之中，逐步構築並得以延續生命的承重系統，於當代重新獲得感知與重量。Read more
RIVER ART GALLERY will present the group exhibition “Hundred Quilts: No Knots Without Weight”, featuring six artists whose practices span paper, fabric, painting, sculpture, and installation. The exhibition brings together Japanese-Canadian artist Alexa Kumiko Hatanaka; Mexican artist Allan Villavicencio; Taiwanese-Australian artist Angie Pai; Taiwanese-Canadian artist Dennis Lin; Chinese artist Amy Hui Li, and Korean artist Lili Lee. Taking the “patchwork quilt” as its central metaphor, the exhibition examines its cultural formation, material structure, and corporeal labor embedded within. It traces how textile and fiber practices, shaped by scarcity, rupture, care, and migration, gradually form a structure capable of sustaining life, through which fiber regains a renewed perceptual and symbolic weight in the present. -
再述的隱喻
The Metaphors of Restorying Feb 10 - Mar 31, 2023《再述的隱喻》集結8位藝術家，看似不同的表現方式，暗藏著許多不謀而合的隱喻，從童年記憶的講述，到自我價值與世代文化的反映，甚至對於生命及大環境的體悟，藉由作品的再詮釋，披著截然不同的敘事掛毯，說著你我皆可能面對的當代議題。“The Metaphors of Restorying” brings together eight artists whose seemingly different expressions conceal many coincidental metaphors, from the narrative of childhood memories, to the reflection of self-value and generational culture, and even the understanding of life and the environment. With the reinterpretation of the artwork, it is like to drape a tapestry of a very different narrative, speaking about contemporary issues that you and I may face.Read more
