Nianxin Li 李念昕

李念昕，1999年出生於中國重慶，2017-2020年赴佛羅倫薩美術學院學習繪畫，後就讀於紐約視覺藝術學院，作品曾多次於紐約展出。目前創作以繪畫和影像為主，認為3D技術落實了繪畫的平行世界，創作過程中，其有意透過細節打破原有的節奏，以表達一種矛盾且疏離的氛圍。

 

藝術家創作靈感始於其早期被教育的方式，家庭生活之間的脫節感，因果關係的不一致讓她對荒誕文學有了濃厚的興趣，立體主義的抽象概念及網路媒體帶來的數位美學，也對其產生了很大的影響。可塑性和不自然是其作品中重要的特徵，將不具有歷史寓意的元素放入傳統靜物作品中，使用霓粉或群青等擁有「不可食」、「有毒」意象的顏色，與傳達安全感的中性色結合，嘗試用客觀且陌生的態度，並對傳統家庭先入為主的框架提出質疑。畫面中的物象關係，以及畫與觀者的關係，藉由平等的姿態，不刻意引導，採多視覺焦點在畫中彼此競爭、模糊界限，既隔離又相互制約，試圖在沒有主體結構的模式中，尋找自身存在的方式，沉穩卻充滿張力。

 

Nianxin Li, born in 1999 in Chongqing, China, studied painting at the Florence Academy of Fine Arts from 2017 to 2020, and later attended the New York Visual Arts Academy. Her works have been exhibited multiple times in New York. Currently, her creations primarily focus on painting and film. She believes that 3D technology has manifested a parallel world for painting. In her creative process, she intentionally breaks the existing rhythm through details to express a contradictory atmosphere.

 

The artist's creative inspiration stems from her early educational experiences, a sense of disconnection within family life, and the inconsistency in cause-and-effect relationships. These factors led her to develop a strong interest in absurd literature. The abstract concepts of cubism and the digital aesthetics brought by online media have also greatly influenced her. Plasticity and unnaturalness are significant features of her works. She incorporates elements devoid of historical meaning into traditional still-life pieces, employing colors like neon pink or ultramarin that evoke images of "inedible" and "toxic," along with neutral colors that convey a sense of security. She attempts to use an objective and unfamiliar attitude to question the preconceived framework of traditional family norms. The relationships between objects in her compositions and the connection between the artwork and the viewer are presented in an equal stance, without deliberate guidance. Multiple visual focal points compete and blur boundaries within the painting, creating both isolation and mutual constraint. She endeavors to find a way of existence within a pattern without a central structure, resulting in a composed yet tension-filled ambiance.